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All My Children Discussion Group
I wanted to comment on those who attribute AMC's problems to AMC's showing its age.
I don't believe AMC is showing age.
The WRITERS and PRODUCERS and all that..TPTB...are killing it. There are millions of stories yet to be told as we follow the people of a somewhat small town. The CREATIVE people who do the storylines and write the scripts...they're killing it. AGE has nothing to do with it. GL went on for 72 years. AMC is just turning 40...it's not even middle aged yet.
AGE doesn't mean it's not always very good...the creative people MAKE it no good. I don't know the age of the writers and producers of AMC...but whatever the case they've lost a sense of the grand history and style of AMC.
Maybe they've fiddled with it TOO much in trying to keep it relevant in today's world. But you see it CAN still be relevant...certainly relevancy is not the problem.
The problem is repeatedly starting off in one direction on a storyline and then SUDDENDLY making a sharp turn in another direction! They started that thing of NOT showing us important scenes but instead having something take place offstage and then we hear the after discussion...how many times I've gone through transcripts to see if I MISSED an episode...because the one I've recorded starts off mid-conversation about something I never saw happen.
Then there's the concept of keeping to the integrity of the characters as they've been created. That was ALWAYS AMC's goldmine...you just came to know the characters and how they'd react..they could GROW and CHANGE but the audience was part of that..we SAW it happen..we KNEW why they character changed..for better or worse...we could AGREE with why something happened...we'd BUY it.
But today it's like they're always pressed for time and they have to HURRY the stories by cutting out things we should be seeing...and by not supporting sudden changes in how a character acts/reacts/lives his-her life.
I'm not saying they do not draw out storyline wrapups for too long at times. I'm saying they seem to "gain time" by cutting out VERY IMPORTANT things...by not carefully crafting changes in characters...so that we can believe and accept those changes. Even an odious change to a character...someone you love takes a turn to the darkside...can be accepted if we, the audience, SEE why and can BELIEVE it...we understand the REASON behind it.
I think TPTB at AMC/ABC think the audience has a short attention span and cannot handle the plot and character development that to me is VITAL to the quality of the show. They think we watch a soap the way people get our news...in snippets. I don't believe that. From what I've read from posters on the board - the valid critiques and the astute observations - we CRAVE well-developed plot and characters.
But they change the integrity of the character, as created, at the drop of a hat without giving us anything of substance to help us understand and accept. It's insulting particularly to long-time characters that long-time fans have a comfort level with--we know and understand them -- but now suddenly, the character becomes almost unrecognizable...but for what reason?? It's the same with these sudden, lurching turns in a storyline!
They don't GIVE us reasons for these sudden changes and turns by TELLING us something in a STORY..they do not CRAFT these things..they do not SUPPORT these things...and all we're left with is to say, "well I'll GUESS at filling in the blanks this leaves in my mind to see if I CAN accept this sudden change." I cannot tell you the number of times I've had to do that..and have discussed it on the board when others question the same things I've questioned. We just have to guess.
Well if I wanted to GUESS at why someone does something, or is the way he/she is, or has changed in a certain way...I WOULDN'T TAKE THE TIME TO WATCH A SOAP OPERA!! I'd just LIVE MY LIFE!...because that's how real life is quite often...dealing with the 'blanks' in relationships!
But when I watch a SOAP, I want to KNOW my characters...see what is going on behind the scenes of THEIR lives so I can put it all together and say, "Aha...this is why (for instance) Tad did something that appears to be really bad... and this is why his father Dr. Joe is upset about it...but I know Tad's reasons and the situation even though Dr. Joe doesn't.. so I don't reject him...I'll wait and see how this plays out."
I'm not saying I want to know the "end" of every storyline; I'm saying I have to have enough "information" about the plot and the characters so that when we GET to the end, I buy it. It's the climax and I'm satisfied.
I truly believe that the failure continually to DEVELOP the characters and plot - and to remain FAITHFUL to the integrity of the character within a given plot as the character has been developed to date - THAT is what is killing AMC...not age.
To me, what has happened to AMC is like a slow acting disease finding its way into a 40-year old's body...the person wasn't OLD...the person was affected by a disease. The DISEASE of the creative people who handle AMC is what is killing it.
Y'know AMC used to be a half hour show..and they could do MORE to develop characters and storylines in a half hour than they now are doing in one hour. That's pitiful.
But please don't tell yourself it's too old a show...it's a show that's gotten an illness and nobody at AMC/ABC is trying to cure it. We'll see what LA brings..but I don't trust them...do you?






ITA, the writers are lazy and unprofessional. Scooting along with unanswered resolve and changing the characters is frustrating. And if they think the small percentage who are seniors ''forget'' what happened, or why, they are WRONG. Also, they too buy cars, frigs, deordant, detergents, etc. .
I remember hearing one of them say a little while ago, that the audience now is just middle aged and seniors. They’ve made it perfectly obvious that they don’t give a rat’s a$$ about us. They know we’ll watch out of habit and so they don’t care what they feed us, consequently they feed us crap. I really don’t know why I keep watching. They’re right. It’s out of habit.
We, the audience, aren't seen as valuable enough for Corp. to bother with. Remember, this IS the Corp entity that said that Agnes Nixon 'knows nothing about soaps' & who thinks (in general) that the audience has 'brains of oatmeal' and 'the collective attention span of a gnat'. The same audience can be watching primetime & we are perceived as considerable more valuable, but not much more intelligent, demonstrated by their idea of programming the last several yrs.
Soaps have lost their sense of place. They are about the story, not gimmicks & weak stories that have easily forseeable ends. I can't recall the last time a soap really moved me or had me on the edge of my seat. It used to be that if I missed an episode (or even taped it) I felt like I had missed something. Knowing I had taped an episode was like looking forward to opening a gift. I can't recall the last time that ANY soap did that.
Age isn't the issue. Lack of affinity for soaps, Corp. changes in the perception of the audience, dumbing things down...these have all contributed to making the shows unwatchable for millions. They didn't happen BECAUSE of the audience, they happened in spite of us!
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I will admit I didn't read all of your post, but I did pick up on something that, to me, is vital: the integrity of the characters. I've only watched AMC since 1971, but the current writers have turned Jesse upside down. I was so excited when it was announced he was coming back, and I love Darnell Williams and his portrayal of Jesse. But the Jesse I love would never stoop to these kinds of tactics.
Tad would never murder someone and then just say "Oops, it was the storm."
Erica would not be involved with Ryan--not because he is decades younger than she is--but because of the relationship to Kendall and Spike. I still believe Erica is a beautiful woman, and why the writers have to make Ryan the sun and everyone else planets is beyond me.
The whole Amanda/David/Jake thing is beyond stupid. In what universe would this sort of thing be tolerated? Apparently in the writers' universe.
The Zach that came to PV wouldn't use the spy vs. spy tactics. He would be too cool for that. Kendall wouldn't confess to a murder she didn't commit, even if she thought she did.
I wish the writers would read some of the boards.
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